While looking through my draft folder, I came across this topic that I never did anything with. Seeing as Zelda is a hot topic these days I may as well take advantage of the analytics.
For some background context, I wouldn’t say that I am a major Legend of Zelda fan. I enjoy the 2D games over the 3D ones, and I find more enjoyment watching someone like my older brother play through them. Due to this, I don’t normally get excited when a new game is announced. I wait to see what the game is like and then give it a try if I am feeling it. I do enjoy the lore of the games.
First let me go ahead and list the games that I have never played. It would get pretty repetitive if the only things that I say about these games is that I have never played them before.
The Legend of Zelda
Zelda II: The Adventure of Link
The Legend of Zelda: Four Swords Adventures
The Legend of Zelda: Spirit Tracks
The Legend of Zelda: Tri Force Heroes
The CD-I games
Link’s Crossbow Training
Hyrule Warriors: Age of Calamity
The Legend of Zelda: A Link To The Past
Some would consider this to be the quintessential Zelda game to play. Well I have played it, but have yet to ever finish it. The reason? I guess just not committing myself to sit down and play it. I just said that I enjoy the 2D Zelda games over the 3D ones, so this one should high on my list to finish. The furthest I have gotten in the game may be around getting the third pendant I think. At least I am not my older brother who has flat out said that he does not like this game.
The Legend of Zelda: Ocarina of Time
Time to really ruffle some feathers with this one if the last one didn’t. I am in an interesting position where I could tell you the ins and outs of this game without ever finishing the game. I have watched my brother and older cousins play this game to death that it feels like I know more about this game than most of the other games that I play. It may be for that reason why I never felt like I needed to finish this game. I know the plot, how to play, where to find certain items, and how to complete side quests just because I have watched many hours of this game. Sure I may do it one day, but as of now I don’t possess that burning desire to do so. When I did play this on my own, I got to about the Forest Temple.
The Legend of Zelda: Majora’s Mask
Roleplay with me for a moment here. You are eight years old when this game comes out. You and your nine year old brother are excited to play this game since you had a blast with Ocarina of Time. You get the game, watch the opening cinematic and see the moon for the first time. My eight year-old self was not prepared for that nightmare fuel. Continuing on, you watch the first cutscene where Link gets jumped in the forest by the scary masked kid and think he killed his horse. From there, the psychopath in the mask turns Link into a Deku Scrub where you then have three days to get your body back before the moon nukes the town. All of this while eerie music plays in the background and that smug laugh of the Happy Mask Salesman sinks in your soul.
So yeah. Childhood trauma prevented me from playing this one for a while. Kat and my older brother love this game and consider this as their favorite Zelda game of all time. I know exactly why they love it. I have about the same level of knowledge of this game like Ocarina since I watched him play this over and over again. The thing that prevents me from not playing this game is the 72 hour time limit. I don’t like to be rushed or have the panic feeling of racing against a clock. I have enough anxiety already that I don’t need a game where the time limit pretends to be a threat make me feel uncomfortable at all times. I think the furthers I have every gotten on my own was getting Link’s body back. If I am honest I don’t think I will ever finish this one unless I was forced to.
The Legend of Zelda: The Wind Waker
Wind Waker was the first 3D Zelda game that I was serious about finishing. I like the aesthetic of the game and the overall vibes felt comfortable for me. There was hardly a time where I felt like the game was overwhelming and daunting while I was playing. I actually like sailing the ocean to find treasure and pretend to be a pirate. By this time you probably have guessed why I never finished this game. Two words: Triforce Pieces. I burnt out right as I was tasked to find these stupid items and never went back since. I know I just have to power through it, but it is the worst part of the game. I do want to finish this game at some point though. I have the Wii U version, so I will play that version and get through the Triforce hunt quicker.
The Legend of Zelda: Phantom Hourglass
Most of my memory of this game is a blur. I do know that I don’t care for the control scheme and that is why I never got Spirit Tracks. I do know that I stopped right at the moment where you have to go through that stupid temple (Temple of the Ocean King) for the last time. The end of the game is right there, but my brother beat me to it so I watched the ending with him and never touched the game since then. Not the biggest fan of this, but I do remember liking the sailing controls.
The Legend of Zelda: A Link Between Worlds
Let’s talk about my older brother again. The guy who famously told me that he did not like A Link to the Past one day told me that this was one of his new favorite Zelda games. I don’t get it either, but I will agree that this is a pretty good game. I like games that take a concept that seems out of place when you read it on paper but makes total sense when you see it in action. Having Link merge onto walls is a gameplay mechanic that works so well that it feels stupid at times. The only thing that I’m upset about is that I haven’t gone back to finish this game proper. It is partially because it is on the 3DS and I got it at the time where I was playing my 3DS less and less (tragic). I don’t really remember how far I got in it since I was playing my brother’s copy at the time before getting my own. I do getting the wall merging mechanic and beating the first temple after you get it.
The Legend of Zelda: Breath of the Wild
This now brings us to the latest game in the series (at the time of writing this). Breath of the Wild looked like a game that I was ready to play. The big open world where anything was possible seemed like something I was ready for. It was the first game that I played when I got my Switch and the second time I was enjoying myself playing in a big open world. Somewhere along the line, I started to play this less and less. The reason? The world feels too big for me to decide what I want to do. A lot of people like having as much freedom as possible to create the adventure they want with little input from the game to tell you what to do. I have come to learn that I like to be given some guidance on how I should go about doing things. I turns out that ultimate freedom makes me waste time by wandering around aimlessly until I stumble upon a thing.
One thing that might have improved my time was if there were actual rewards for me exploring places. Sure the world is filled with weapons and items to find, but it doesn’t have the same appeal to me when I know that those items are only temporary if I chose to use them thanks to the weapon durability system. Finding a shrine is nice since it goes toward building up my health or stamina, but it doesn’t compare to finding like a new spell or item that you could permanently keep with you. I makes the journey of finding things kinda bland for me. Hopefully Tears of the Kingdom will give me a reason to explore it’s world.
I was making progress in the game for a while. I unlocked one divine beast and found my way through the Lost Woods to find the Master Sword. The last time I played, Link was staring down the path to Death Mountain. Will he ever get there? Who knows.
So those are all of the Zelda games that I have played but never finished. While I don’t have the itch to play any of them currently, I do want/have to get around to them at some point. This is where I open the discussion to all of you!
Which of these games should I finish first?
I may not motivate myself to finish these, but a push from peers will always get me in motion. Let me know in the comments which one of these games should I work on finishing a write my final thoughts about. You have my word that I will finish it to the end.
In all honesty, this was going to be a harsher post before things changed. I was convinced that nothing was going to stop the annoying anger that I had with Final Fantasy XV. That attitude changed a bit when I reached the end of the game. While I will still criticize my biggest issue with the game, things get a bit complex once the final scenes play out and credits roll. It is about time that I get this game off of my backlog since it has been here for the past six years.
*Oh yeah. This counts as my #MaybeInMarch title since I actually finished the game and post in March!*
First things first, let’s open up the wound and pour hydrogen peroxide right on it. I find it insulting, scummy, and down right bonkers to release a game like this. Final Fantasy XV was released as an unfinished game, and in my world it was left unfinished. The developers clearly knew what the central theme to their story was, but forgot to add something critical to that; the story. If you were to ask me what the story of Final Fantasy XV was, I would sound like a madman who speaks in mad libs.
Our princely king Noctis has to leave home to attend his royal wedding to the oracle Lunafreya. He is accompanied by his meaty shield Gladiolus, steward and chief Ignis, and photographer and definitely nothing wrong with him Prompto. Immediately after leaving the front gates, Noctis’ home Insomnia is attacked by the evil Niflheim empire and turning the current king into the former king. So now the story has shifted from attending a wedding to avoid being captured. That doesn’t last long since Noctis learns that he needs to travel his homeland to find the tombs of the old kings and receive their powers to defeat the empire. After finding three of them, the rest become optional when the focus then shifts to gaining the power of Final Fantasy summons to become the true king.
This is when things just speed up. You meet up with Luna in Venice where she then gets killed by a man named Ardyn who reveals at this time that he was the main antagonist the whole time. He starts to troll Noctis into fighting him and then that becomes the main goal until the end. From there, we get on the literal trainwreck train to the end of the game where things are either left unanswered, explained on a random piece of paper found on the floor, or locked behind paid DLC (more on that later). You learn Ardyn wants to turn the lights off in the world and that Noctis has to sacrifice his life to pay the light bill. There is something there to make the story feel compelling, but the speed and cuts that the development took to get there feels haphazard.
A lot of the story content is just missing from the main game. Things happen in the background and are never elaborated on in the main story. For some reason, Gladio leaves the group for a chapter and it is never explained why he left. After destroying Venice, Ignis loses his eyesight and it is never explained what happened to him. Prompto falls off a moving train and magically shows up locked up at the enemy stronghold and learns that he is a clone. Minus the group dealing with Ignis not being able to see, all of the other missing pieces to the story are just ignored. Prompto telling the group he was a result of humans playing God just turns into a “whatever” from his friends. This Ravus character looks interesting. I can’t wait to see what made him join the empire and get into conflict with his sister. Oh nevermind, I found him dead in a random place in the empire with no explanation on why or how he got here. There are just so many plot points that are missing to make anything matter.
Yes. There is a way to fill in all of the gaps. All you need to do is buy the episodic character episodes that fill in their gaps, watch a two hour movie, watch some videos on YouTube, and read a 384 page book to get the whole story of the game. That is a lot to ask someone to do if they found the base game mid. I find it very scummy that Square made people pay for missing story details that had distinct places for them in the base game. It was a bad call and Square knew it when they canceled the rest of the “story” and put it all instead into one book (which is pretty good from what I’ve heard).
It is safe to say that I was very disappointed with the story of FFXV. You would think that I would put it as one of my least favorite Final Fantasy games. While it may end up low on my list, something happened in the very last second right before I went into the final fight. I got emotional.
Emotions from this game? How? Just a moment ago I was bashing my head of how bad and complicated it was for me to follow anything that was going on in this game; and now suddenly I’m getting emotional! How? What the fuck happened between me fighting some of the hardest bosses in the game and preparing to go into one of the easiest fights in the game.
Before the final fight, I had to reflect on the journey.
Some people say that it is never about the destination, but the journey you went on to get there. I hardly paid attention to my journey. At the beginning I was trying to do as many things as I could to experience what this world had in store. That ambition left real quick and then I started to focus on just finishing the main story. There were some things that I went out of my way to do; like obtaining all of the Royal Arms which was a pain in the neck to do. I did some things that I wasn’t keen on doing, but did it because I wanted the reward at the end. What I failed to realize at first was that even though my brain was half dead to remember any of the things that I did, someone was helping me retain all of that time. Prompto and his silly little camera was the plot device that I wasn’t ready for.
Throughout your journey, every time you rest at an inn or set camp you can view some of the photos that Prompto takes. These range from group shots, photos taken during combat scenes, and lots and lots of selfies. Some of the photos can turn out hilarious or the curse of nightmares. You are encouraged to save your favorite photos out of the bunch with only being able to save 200 photos. I normally used the screenshot option on the PS5, but there were some I was like “no you guys will remember this photo when the time comes.” My silly little joke of saving my funniest pictures would come back to haunt me at the end of the game.
Right before the fight, Noctis tells his bros that he has come to terms with what is about to happen next. He then asks Prompto if he can take a look at his camera and choose one photo to take with him into his final hours. This event turned into a walk down memory lane and unlocked some feelings that would not have come out if I had simply ignored this mechanic.
At the beginning of Chapter 13, the gang says goodbye to the best character in the game, their car the Regalia. I got super emotional at that point since the Regalia had been with us since the beginning and now we were leaving her in some random street. It didn’t help that I could relate to saying goodbye to a vehicle that you wished you could save. My first car was given to me by one of my family members. It was special since we made a lot of memories in that car. When it was given to me, I could tell it was getting old, and due to it not being serviced properly, it was a matter of time before something bad would happen. Due to circumstances with not being able to afford repairs and a landlord who wasn’t understanding, I made the difficult choice to have her towed away to the scrapyard. The guilt of being powerless stayed with me for a long time.
When looking at the photos, the guys came across a picture with the four of them in front of the Regalia. They all said it was fitting to have this since it was at the beginning of their journey and included all of them. That punched me right in the gut since it reminded me of the Regalia’s fate and how important it was to the gang; and even myself. I had decided that this photo was going to be the one that I was going to take, but I decided to see what else I had saved along the way.
This sweet, tender moment was quickly ruined by the other photos that I had saved. Here are a few:
Practicing victory poses
Disney’s live action Timon and Pumbaa
“Hey Noct, let’s go and moon those Imperial solders over there.”
Ignis embracing his Sonic persona
You tell me what’s going on in this picture.
Looks familiar
Hi
What did you do to his neck Prompto?
“Day 139 on the open road with my buds!”
I started to burst out laughing. Everything about this game, and this moment, and this entire story just felt like one big joke that I could elevate with one of the stupid photos that I took. I laughed so much that I finally made myself cry when I couldn’t when thinking about the sad car stuff. My absolute favorite is Crackhead Prompto. I was so tempted to take this photo with me instead and envision the last thing that Noctis sees is this goofy, drug addicted pic of his friend.
For a moment, all the negative gunk that was festering in my heart suddenly vanished and I was able to take in what I just played. I sympathize with how Noctis must have felt to do what he had to do and finally grow up to get the job done. I felt silent with everyone when it flashed back to the final campfire scene. I cracked when the other characters finally broke down. I started to think about my own brothers (by blood and by bond) and what if we went on this difficulty yet spotty journey. The theming and ending of FFXV will not work for everyone, but for me it took a small hit to crack the surface before hitting me deep.
I will still not excuse the disaster of the story structure or Square’s “fix” to sell the missing pieces. If you are the type that enjoys road trips and family bonding, then you will find the most enjoyment out of this game. I thought I was going to hate Noctis, but I quickly learned that he is just a kid with a lot of weight on his shoulders and just wants to fish. Prompto, Gladio, and Ignis were great characters as well, but at this time I don’t have the urge to play through their episodes. I wish they were in the main game for me to enjoy then and there and not an afterthought after pulling myself to finish the game. I’m still debating if I want to get the last few achievements since I’m close, but then I think about the mindlessness of it and it dissuade me.
I waited six years to finish this game. I thought that waiting for the story DLC would be worth it, but the unfocused nature of it just made me lose interest (especially when much better stories have been told from the same series). I’m happy that I finally got this off my backlog and another game done in the series.
….Final Fantasy XVI you better be worth the time I swear…….
If I were to ask you to name some of Square Enix’s well-known franchises, I would get your typical answers like Final Fantasy, Dragon Quest, Kingdom Hearts, and the Mana series. It is hard not to think of these titles and others since we have either grown up with them or have been around them in different settings. But did you know that there is a Square franchise that has been going on since 1989 and is still ongoing? That franchise is the highly acclaimed SaGa series! …what? Have you never heard of the SaGa series before? That is not surprising since hardly anyone outside of Japan knows about the series. If you have heard of a game called The Final Fantasy Legend, then congrats, you have heard/played a SaGa game! Despite being a big franchise in Japan, players in the West have little interest in it. Rather it is the fault of the design of the games or looking like an uninteresting JRPG, the SaGa games are generally avoided; making so that no one really talks about them. Since no one talks about them, few resources exist that explain what they are. So, I am going to attempt to explain what a SaGa is and try to encourage some to give it a try. I am not an expert on the series (my first playthrough of Romancing SaGa was done in the absolute worst way possible), but I want to talk about my experience with the series, and what it took for me to fully appreciate the series for what it is.
What is SaGa?
Most of my information comes from the SaGa Wikipedia page. The SaGa series started out as Gameboy titles known as Makai Toushi SaGa. Over in the West, we would know this games as The Final Fantasy Legend. Being the first game to sell a million copies for Square, Makai Toushi SaGa would go on to get two more games before the series moved to the Super Nintendo with Romancing SaGa.Romancing SaGa was released in 1992 (in Japan) and really changed what other JRPGs were doing at the time by giving players more freedom than they were accustomed to. This change of style (and difficulty) was probably not going to do well in the West, so the Romancing games never made it outside of Japan. The West wouldn’t get to experience this new frontier until SaGa Frontier released in 1998 for the PlayStation.
SaGa Frontier release was meet with little fanfare. Despite coming from Square, players had mixed feelings about the structure of the game. That didn’t stop Square from releasing SaGa Frontier 2 in the west which received a better reception from reviews. The nail in the coffin came from the lowest rated SaGa game, Unlimited SaGa, that came out in 2003. Due to the difficult nature of the game, the series took a fall in the West. Not even the 2005 remake of Romancing SaGa was enough to convince westerners to play the series. While Japan received remakes and some new games in the series, it wouldn’t be until 2017 that a “new” SaGa game would be released in the west with a remaster of Romancing SaGa II. Since then, remasters of all SaGa games have made their first appearance in the West with the exception of SaGa Frontier 2 and Unlimited SaGa (if you don’t count the mobile game Imperial SaGa.).
So what made Romancing SaGa so different back then? This comes from how nonlinear the game’s story and progression is designed. Coined the Free Scenario system, players are able to choose between one of eight characters to set off in the world and progress how you like. There is no “set” path that you take in the game to reach the end, so players are free to choose how expansive or short their journey could be. Players will spend most of their time finding quests, recruiting new characters, and slowly build up their weapons and armor before the final confrontation. It was different at the time and could be a bit intimidating since most JRPGs at the time had some form of guidance to lead the player through the story.
Another big difference for the series is how you strengthen your characters. The series does not use any form of experience point system to level up your characters. What happens instead is that characters may be rewarded a stat increase to one of their attributes. Think Final Fantasy II but less exploitative. What many new players fail to understand (including me) is that your weapons and armor are what make you stronger in the end. The SaGa games try to discourage you from grinding since the rewards are little. This doesn’t mean that battles are completely useless. Characters who become proficient with their weapons can unlock new moves and skills. You can also learn combination attacks with other characters that can make the difference in battles. These are the true rewards in battle since strong attacks and combinations can make the biggest difference in tougher fights.
This Sounds Interesting, But Why Does It Not Sound Interesting?
The SaGa series has unfortunately never caught on as much in the West. The biggest complaint about the games that I’ve read about is the Free Scenario system. After playing through three of the titles (SaGa: Scarlet Grace, SaGa Frontier, & Romancing SaGa Remastered), it can get pretty confusing on what you need to do, and what decision is the right one. The games like to keep track of what you have done, but there are not a lot of hints to help new players progress in a meaningful way. There are resources available online to help new players, but since the player base is already small, finding specific information can be a challenge on its own. When you think of more linear RPGs, you think of tales about heroes fighting against the forces of evil and saving the world in the end. SaGa is no different from these games, except that it really requires the player to tell their own tale of how these characters got from point A to fighting an angry god who thinks a human can’t beat them for a second time.
Introduction to Series (Romancing SaGa: Minstrel Song, PlayStation 2)
From my own experience, I know first hand how playing the games for the first time can be frustrating. My first experience with the series was Romancing SaGa for the PlayStation 2. I immediately became mesmerized by the music and art design. To me in 2020, this felt like returning to a classic era of early PS2 games. It sort of reminded me of playing Radiata Stories for the first time (another great game that needs to be remastered). I started off with Barbara since she seemed like the most normal person out of the bunch (this would be a slightly terrible decision that I wouldn’t realize until later). I set off and received my first quest to rescue a child from a cave. That is when the captivating spell wore off on me and I had to understand how the game works. The cave was a bit difficult for Barbara and her friend Herman to handle by themselves. I scouted the surrounding towns to see if I could recruit someone and found a friendly sorcerer to help out. I went back to the cave and made my way to the end, but there was no child for me to rescue. Upon returning to the child’s mom, I was surprised to see that she had a child accompanying her. She then informed me that another party came along and rescued her child, marking the quest as a failure in my journal. Since I left the cave and didn’t rescue the child quick enough, I lost out on the reward since someone else beat me to it. This is what it means when the game says that it is a breathing world. Events will happen whether you are there or not, so it is best to take on quests when you obtain them.
After a while, I cam across another quest that involved another cave. Without dawdling, I set off to the cave and made may way deep inside. I came across a tough enemy that promptly wiped my entire party out. Since auto-saving was not a feature in this version, I had to start all over again from the town that I was in and redo my progression. If I was playing this when it first came out, I would have the patience to learn from my mistakes. But in the year 2020, a game without an auto-save function or a means to save wherever you want kills the momentum swiftly. This made me put the game away and not attempt to play it anytime soon.
Third Attempt At Series (SaGa: Scarlet Grace – Ambitions, Nintendo Switch)
After failing at my first SaGa game, I wanted to try a different game to see if there was something I was missing. I tried the remaster of Romancing SaGa 2, but it didn’t hold my attention for long. I then came across SaGa: Scarlet Grace – Ambitions. This is technically the newest title from the SaGa team since Unlimited SaGa back in 2002. I was skeptical at first to give it a try, but the art style drew me in again. I am a sucker for storybook ascetics, and this game knows how to make the entire journey feel like a story. While it did take me a while to understand how this game functioned, I did manage to finish the game with one character’s story; making it the first game in the series that I finished. If I had to rate this game on how accessible it is for new players, I would say that this is the second game that I would recommend to them.
I am not going to spend too much time talking about this since I already did that in 2021 (my writing has changed completely since then). Just know that out of the other two games that I have finished, I found the most enjoyment out of this one. While there are choices to be made, I found myself engaged with figuring things out on my own and enjoying the story. The trial and error is there, but it never got too overwhelming that I couldn’t get past an obstacle. It holds up and an easy recommendation from me if you want to try out the series.
The Easiest Game In The Series (SaGa Frontier Remastered)
With one win under my belt, I decided to give another game in the series a try. This was around the time that the remaster for SaGa Frontier was coming out, and my research showed that people enjoyed this one.
Not going to lie, I really wasn’t feeling this one. From what I can tell, Square did a good job of improving this over the original. The one thing that I absolutely do not like is the art style. The game used prerender backgrounds in the original, and they did a good job of keeping that in tact. What I don’t like is how it clashes with the chibi mobile character sprites. I will be the first to admit that I do not like Square’s character designs for mobile ports of their games (Final Fantasy, Dragon Quest). The bright color palette doesn’t match well with the darker tone backgrounds and is just unpleasant to look at for long. The prerender backgrounds also make it hard to navigate some areas since it can be hard to tell if something is accessible or not.
With that out of the way, this is one of the easiest games to start off with. The only times I vaguely struggled were at the very beginning and the final boss for Emilia (I started with her). Other than that, the game went by really fast thanks to how linear and nonlinear it is. You do have free range on deciding where you want to go since all major areas are open to you at any time. The main difference with this game is that each character has a main story that is ongoing at all time. Your journal in this game will tell you specifically what you need to do in order to progress the story. It took a lot of the guesswork out since if I just wanted to do the story, I could just follow along and not worry about other things going on. It makes for one of the easiest games to finish since most stories can be done in less than a week. You still need to worry about finding weapons and armors to strengthen your team, but obtaining these items is less of a challenge in the previous games I’ve played.
It might not be the prettiest game in the series, but SaGa Frontier does a good job of focusing on the narrative of each character’s story. You are still free to go and choose to do the things you want to do, but it never becomes a hassle to get back to the main plot. That alone makes it my top recommendation for new players who want to give the series a shot. The game I would warn people about to do their research beforehand is the latest game that I finished.
Back To Where It Began (Romancing SaGa – Minstrel Song Remastered)
I got excited when I heard that this game was getting remastered (again). The moment I knew that this version was going to be better than the PS2 version was when I learned that you had the ability to save the game ANYWHERE! This made dungeons more forgiving since if my party wiped at any point, I didn’t have to start from the last town again. What is even better is that the auto save function will save after every battle that you do; meaning you can get back to where you were if you encounter a tough fight. This makes the game so much easier to see through the end. However, the game is just as hard as the original. While I found Scarlet Grace enjoyable, I found this title to be my favorite so far in the series. It isn’t the easiest game to figure out on the first go, but is rewarding when you do things right.
It wasn’t until I was halfway through my first playthrough that I realized that I had been playing the game the wrong way. I had been making my way through the game using very little resources that the game provides (I ordered a guide book, but it didn’t come in until I finished the game). When preparing for the final battle, I realized that my team’s weapons, armor, and spells were inadequate and made the final fight a struggle (until I booted an old file and redid my loadout). To anyone who wants to try this game, there are a few things that you absolutely need to know.
DO NOT FIGHT/GRIND AT THE BEGINNING! This sounds odd since you are playing an JRPG. In order for your characters to get stronger, you need to fight enemies and increase your stats. That would be the case for most games, but Romancing SaGa semi punishes you for fighting every enemy you encounter. The game features a clock that keeps track of which events are available and have expired, but it also keeps track of how tough enemies will be. For each notch you progress on the clock, the enemies get tougher. The clock will only increase if you are constantly fighting, but it is also important to get to a certain point in order to progress to the final fight. New players are encouraged to avoid battles as much as possible in order to obtain better gear before doing necessary fights. This is something that the game doesn’t tell you and I only realized halfway through the game (when I was kicking everyone’s ass). The remastered version of the game allows you to slow the clock down if you would like to ease yourself into the game before cranking up the difficulty for future playthroughs.
Pay attention to your weapon modes and classes. Another mechanic that I completely ignored were classes and weapon modes. Classes have their benefits for characters to become proficient with different weapons, magic, and field skills. What I didn’t know was that classes have unique abilities that are valuable when given to the right person. I had everyone in their beginning classes for the longest time until it dawned on me that I should change them. Along with this, some jobs work best when using weapons in a certain mode. Modes consist of attack, defense, and trick. If there was ever a reason why some of my characters would die instantly was because everyone was just in attack mode and I never considered giving them different weapons with different styles to compensate for certain fights. Which brings me to my next point…
Study how enemies fight. Enemies have their own modes that are weak to different styles. Attack beats trick, defense beats attack, and trick beats defense. This was the one thing that I never paid attention to in battles, but it would have saved me a whole lot of time in certain fights. The helper in every town mentions this, but in a game with so many convoluted rules it just meant nothing to me at the time. You will need to observe your opponent to determine which type it is, but it gets easy to tell while fighting.
Do not neglect quests. Quests give you good items. Items that will help turn the tide when you need it the most. Since your equipment will build your character, pay attention to what you find or what you could get.
Use the blacksmith. Blacksmiths can change the mode of your weapon for a small fee. This is helpful if you want to have different weapons with different modes available at all times. Blacksmiths can also strengthen your common weapons to give them an extra umph.
Do quests as soon as you get them. Once you hear about something, go ahead and start working on them. The rank clock also acts as a sudo event clock as well. Some quests will be unsolved if you take too long to complete them, or if the event clock reaches a certain point. I lost out at obtaining one of the fatestones since I waited until the last moment to get it.
Do not start with Barbara. I love Barbara. Her character and journey was fun to experience. According to the guide book, Barbara has no tutorial to the game and just throws the player into the world to have at it. I never started the game with another character, so I did not know this. Most of my struggles may have been eased if I knew about this. The guide recommends starting with Albert since his tutorial does a good job of easing new players into the game.
These are my tips for anyone who wants to play this game. It can get confusing on how to go about things and to avoid unnecessary fights, but at its core, the game is rewarding for playing smart. Most obstacles in JRPGs can be solved by getting your characters to a certain level and winning by sheer force. Romancing SaGa doesn’t allow you to do that unless you’ve earned the right to do it. Even still, you will come across fights that you just can’t win with brute force alone. You have to change your tactics up a bit. Use certain techniques that will give you an edge. Learn how to anticipate how enemies behave and learn from your mistakes. It is a game of wits at the end of the day, and it is set to a difficulty level that I haven’t experienced in most JRPGs that I’ve played.
I hope this little post has been helpful in understanding these games. It is difficult to get someone interested in these types of games due to how difficult it is at first. My aim for this post was just to show that even if the game sounds confusing, it really isn’t once you understand how to play it. I would suggest finding the aspect of it that appeals to you the most. I probably would have given up on the series if the art, music, combat, and the feeling of playing an old school JRPG didn’t appeal to me. Chances are, none of this appeals to you and that is fine. I just wanted to spread the word about these games since no one seems to know that they are about. Hopefully this little reference was enough to give a general picture. Also please remember that I am still learning about these games as well and not a specialist on this series at all. Like I mentioned, I played these games in the worst way possible, but have learned with the bits and pieces that I’ve found.
For the past three years, I have dedicated the month of October to play different Castlevania games. Ever since Symphony of the Night, I have been trying to play as many games in the series that I can before the fatigue hits. Last year, I played through all of the Gameboy Advance games thanks to the Castlevania Advance Collection that came out last year. This year, I wanted to swim in the murky waters of the early 3D Castlevania titles. The only game in this “collection” that I didn’t play was Castlevania: Legacy of Darkness. Not because the first Castlevania game on the N64 dissuaded me from playing it, but because I do not own a copy of the game. Most of these games are foreign to me since I have never played them before. In total, there were three and a quarter games played and finished.
Castlevania (1999)
Release Date: January 26, 1999 Platform: Nintendo 64 Canon to Story: Non-canon
I was really looking forward to this game. This game is not foreign to me since I once rented it from my local video store long ago. I never made it far in the game since you are required to have a Controller Pack in order to save the game. So after all these years, I was ready to tackle the very first 3D Castlevania game. Unfortunately, I could not finish the game. I had reached a point in the game where I was just tired and frustrated with the game design, that I just put the controller down and moved on.
Castlevania (1999) was the first Castlevania game on the Nintendo 64, and the very first game in the series to be in 3D. For a first attempt, there were some ideas that worked to set the mood. The design of the stages and some of the effects are creative and interesting. I was impressed with the effects of lighting hitting the trees in the first stage, and watching them fall on fire until the flames extinguished. The stage within the mansion was a fresh change since no two rooms in the mansion were exactly the same. There were some good design ideas that we placed in the game that I unfortunately did not get to see.
The story of the game follows two protagonists that you choose at the beginning. First, you have Reinhard Schneider, an heir to the Belmont Clan of Vampire Hunters and someone who looks like he belongs in the 1980s and not the 1850s (when the game takes place). He plays like a normal (non)Belmont would with his trusty whip and sub weapons that are staples to the series. His plot device is that he is a vampire hunter and must do what his clan does best, slaying Dracula. Then you have Carrie Fernandez. Carrie is a gifted magic user who uses magical projectiles and is probably related to the Belnades Clan. Her plot device is that she senses evil energy coming from Vlad’s Pad and must go defeat it for her clan. Both characters’ stories are similar minus two different stages unique to each character. Other noteworthy characters in this game are Charles Vincent, a guy who really loves Jesus, and Malus, the guy who plays the violin at the start menu of the game that may or may not be Dracula (depends on the ending you get).
Once you start playing the game, that is when you can tell that this was a first attempt at making a 3D action/platforming game. Let me go ahead and talk about my biggest complaint about the game, the camera. Oh dear lord, the camera in this game. For a game that started development in April 1997, you would think by the time it was released in January 1999 that the developers would have seen how other developers handled the camera operations in their games. Out of all four C buttons, only one controls the camera, and it basically just shifts how the camera works. You have your standard “Normal” camera that is positioned a set distance from your character, but will adjust haphazardly to what it thinks is the ideal position. You then have an “Action” view which just spins the camera around so that you can see around you. It will still act like the “Normal” camera and adjust haphazardly to your character. Thirdly, there is the “Battle” view. Battle view keeps enemies in focus and will attempt to adjust the camera to how your character is looking at an enemy. Finally, there is the “Boss” view that is only accessible while you are fighting bosses. This camera keeps things focused on the boss at all times and will actively try to help them as well. What makes this camera scheme annoying is that you have to toggle between them one at a time to get the angle that you want. It is like the developers didn’t know which camera angle would be best for the game, so they opted to go with multiple angles that the player could decide on when needed. In theory, this is a good idea since it compensates for each players’ needs, but in practice it just doesn’t work in this game. There are many platforming sections in the game that require accurate landing or it will cost you an instant game over. For someone who has a hard time with 3D platforming to begin with, these moments were more stressful than certain other moments in the game that are designed to stress you out. If there is one element that made the game miserable to play, it is the camera 100%.
Another thing that felt off about this game was something I didn’t really realize until I did some research about the game. This Castlevania game implemented something in any other game in the series, horror. If there is one thing Castlevania is not is being scary. There are a lot of horror elements sprinkled in this game straight from Horror Movies 101. This is evident in a beginning scene where you open a gate and a giant skeleton greets you with a “jump scare.” This didn’t click to me that it was supposed to be a jump scare since I knew it was coming, but other instances did invoke that stressful feeling. When you first reach the villa, there is a fight where you have to fight a Cerberus in complete darkness. At first I thought that it was some weird glitch, but no. It was an intentional game design to frighten the player. The moment it really clicked for me however is when you are escaping the garden maze. Not only are there two dogs chasing after you that you cannot kill, the developers decided to throw in Frankenstein with a chainsaw to add to the nightmare. The inclusion of these suspenseful moments in a series that is not scary at all is something I was not expecting from this game, and may be another factor that made me put this down. I play Castlevania for the exploration, cool gothic design, and bumping soundtrack. Raising my heart rate with these cheap scare tactics was not on my list when I decided to play this.
Will I return to Castlevania (1999) at some point? Maybe. At the time of playing, I was just getting increasingly frustrated with the enemy respawn rate, the stress level of annoying platforming and racing the clock to get the good ending, the questionable mechanic of waiting for specific things to happen with the in-game clock, and the FREAKING CAMERA. I wish I had a copy of Castlevania: Legacy of Darkness so that I could compare the two to see if some of the frustrating bits got ironed out. If I do return to this game, it will probably be on my own time where I can take things slow without the pressure of finishing within a time frame. I won’t say that it is the worst game that I played in the series, but it is definitely not one of the greatest.
Castlevania: Lament of Innocence
Date Released: October 21, 2003 Platform: PlayStation 2 Canon to Story: Beginning of timeline
Castlevania: Lament of Innocence was the second attempt of creating a 3D Castlevania title (Legacy of Darkness was mostly made with assets that the developers could not put into Castlevania 1999). In a GameSpot interview in 2003, Igarashi mentions that the developers had learned from the Castlevania games on the N64, and wanted to make a 3D Castlevania that actually felt like a Castlevania game. They definitely succeeded in that effort, but there are glimpses in this game that make it feel like a safe, second chance at making a 3D Castlevania game.
Lament of Innocence was created to tell the origin story of the series and how the Belmont clan became involved in this eternal nightmare. Set in 1094, Leon Belmont hunts a vampire named Walter Berhard who has kidnapped his betrothed, Sara (as you do as a vampire). In order to reach the dastard, Leon has to defeat five bosses in order to gain access to Walter’s Lair. Leon receives assistance from an alchemist named Rinaldo who gives him a whip that will later become the famous Vampire Killer. There is also Leon’s friend Mathias who is one who informs Leon about Walter, and only shows up at the end of the game (I will get into that later).
I was really excited to finally have an excuse to play this game. My final thoughts are that it is a good Castlevania game that’s a mix between the old and new format of the series. Lament of Innocence tries to be a Metroidvania game like Symphony of the Night, but due to the design of the gameplay it feels more like the linear games with branching paths that may or may not have items for you to collect. All six areas of the game feel the same. You move from room to room connected by hallways, where you then have to fight all the enemies in a room in order to unlock the next door to progress. There is a lack of detail that distinguishes each room unless it holds some importance and wants the player to know that something may be different about this room. Ninety percent of the game just felt like I was moving from one end of the map to the other, while retracing some steps in order to unlock my way to the area boss.
Lament of Innocence has some really good elements. Combat is fun even thought it can get repetitive at times. Like any Belmont, Leon uses his whip primarily while using sub weapons that can be picked up. Leon can find different elemental whips to take advantage of weakness, and orbs all you to change the effect of sub weapons. These items help with taking down trickier enemies and solving puzzles. The soundtrack is also on point with House of Sacred Remains and Leon’s Theme being some of my all time favorites from the series. An interesting tidbit is that the composer of the game, the beautiful and talented Michiru Yamane, was instructed to not include many familiar tunes in the game since this was the beginning of the series and the things we know and love hadn’t been established yet.
So let’s talk about the things that broke me in Lament of Innocence. Please welcome back to the roasting pit, the camera. After learning that having four different camera perspectives does not make the game better, Instead, Lament of Innocence takes all camera control away from the player and will adjust to help keep Leon at the center of the screen. This is not an issue since it doesn’t make fighting and running from room to room painful, but it does make one part extremely difficult, platforming. There are platforming sections in this game, as well as a mechanic where Leon can latch his whip onto guard rails to clear some distances. The camera in this game does not make some of these platforming sections easy as it should. Since my brain only has the information that the camera can show me, there were many times where I would overshoot or completely miss where I was trying to land. This makes things even frustrating when you need to use the whip latch mechanic for certain speed challenges, but can’t get the distance or timing right to get past these parts (I forgot to mention the game is very stingy with timing your whip latches).
Outside of my camera and platforming issues, the only other issue that I had with the game was the story (mostly towards the end). My grudge is about Leon’s closest friend, Matthias. In the prologue, we learn that Matthais’ wife Elisabetha dies suddenly and he falls to despair. We learn at the very end of the game that he orchestrated Leon battling Walter in order to absorb Walter’s soul and become the Vlad Dracula Tepes that we know and love today. My problem is Walter’s reveal feels like it comes out of nowhere and doesn’t fit narratively. You never see Matthais in person until this moment at the end of the game when he pops in and then peace out. You don’t even get to confront him at the end. Instead, Death appears and becomes the final boss of the game. What makes this frustrating from a narrative point of view is that the reveal is supposed to be a twist that the player is not supposed to see coming, but the twist fails because there were no hints given that this would happen. You can make the argument that Matthias planned this since he was the one who told Leon about Walter in the prologue, but for me that is a big detail that should be reminded in the story and not just in the prologue. I may have appreciated the reveal more if Matthias was more present in the story and was helping Leon throughout the journey. It would have made the ending a more tragic one after watching along with Leon losing his betrothed and best friend in a single night. I wish we got a follow up to this story from either Matthias point of view, or something that happened in the 300 years between this and Dracula’s Curse (maybe we would have if Iga had the chance).
Finishing Lament of Innocence took no time at all. I do own the strategy guide book to this game, so I referred to it to check on any items that I may have missed (there is one hidden item that is really easy to miss without a guide). In my eight hour playthrough, I was able to explore 92% of the entire castle and missed out on four relics and one orb that you get for fighting an optional boss. With an extra hour or two, I could have 100 percent the game on my first playthrough. You do unlock another vampire named Joachim as a playable character when you enter his name when creating a new file; and you can play in Crazy mode when you enter @CRAZY as your name in a new file. I’m glad I finally got to play this game after all this time. If this game were to get the same remastered treatment, I would definitely dip my toes back into it.
Games Stats:
Date Started: October 1, 2022 Date Finished: October 9, 2022 Total Play Time: 8 Hours Percentage Completed: 94.3%
Castlevania: Curse of Darkness
Release Date: November 1, 2005 Platforms: PlayStation 2, Xbox Canon to Story: 3 Years after Castlevania III: Dracula’s Curse
I had no expectations when I started this game. Like Lament of Innocence, I had no prior knowledge to this game or how it operated. Now that I have finished it, it is the best 3D Castlevania game in the series. I wouldn’t put it over the 2D Metroidvania games (maybe Circle of the Moon), but it is pretty high on my rankings. From gameplay, story, and progression, this game felt well crafted and kept me engaged from start to finish.
Curse of Darkness takes place three years later after the events of Castlevania III: Dracula’s Curse. In Dracula’s Curse, Trevor Belmont defeats Dracula along with his companions. Curse of Darkness tells the story of Dracula’s actual curse that is spreading across the land due to his defeat. The narrative follows the struggles of two Devil Forgemasters; Hector, a former servant of Dracula, and Isaac, another servant of Dracula who is trying to revive him. After setting the stages for his plan, Isaac edges Hector to regain his former power and defeat once his powers have returned in full. Hector accepts as he seeks revenge for the death of his fiancée by Isaac’s schemes. Hector meets different allies and foes in his journey, including Trevor who seeks to stop Dracula’s resurrection by his own means.
I have come to learn that my favorite Castlevania games are the ones where you don’t primarily play as a Belmont. Symphony of the Night has Alucard, Aria of Sorrow has Soma, Order of Ecclesia has Shanoa, and Curse of Darkness has Hector. Being a Devil Forgemaster and a former subordinate of Dracula, Hector uses more than just a whip and the power of Jesus to fight his battles. Like a non-Belmont, Hector uses a range of weapons from swords, axes, lances, his fist, shuriken, and an electric guitar (that one was weird to find). What makes Hector different is that no two items of the same family operate the same way. You have your one-handed swords that are different from the two-handed variety, but Hector’s moveset will alter slightly based on the principles of that weapon. It is a great detail that shows understanding how that weapon would be used effectively instead of just this one is for stabbing while this one is for slashing. Hector is able to use combos with each weapon, making using each weapon type available valuable and gives incentive to switch out from time to time (that and another mechanic).
Hector has more than just his weapons. Being a Devil Forgemaster, he is able to summon monsters (Innocent Devils or I.D.s in this case) to help him in battle and navigation. Familiars in Castlevania games are not new, but they are far more useful and reliable in this game. There are five different types of I.D.s: Fairy, Battle, Bird, Mage, and Devil (also Pumpkin as a joke). Fairies are used mostly for healing and support, but they are also responsible for opening treasure chests for Hector. Bird I.D.s help protect Hector from flying enemies and provide a general barrier for him, but also help Hector glide over large gaps. Along with this, there is a monster raising mechanic that helps level up your I.D.s and eventually evolving them to more powerful demons with more abilities. In order to evolve your I.D.s, you need to farm Evo Crystals from monsters that you defeat on the regular. Crystals drop in different colors depending on the type of weapon that you are using. This is where changing your weapon from time to time comes in handy since each I.D. has a branching path to the next evolution that corresponds to a weapon type’s evo crystal. This made the I.D. system fun to use since certain I.D.s can only be obtained in a specific evolution path.
You are all going to be shocked about this next comment. It only took the developers three games to get it right, but the camera in this game actually works. No longer are we restricted to a fixed camera. You have full control of the camera in this game, and it made me jump for joy when I discovered this. There isn’t a lot of platforming in this game, but just having the ability to turn the camera around just so I can see everything around me was something I really missed. This alone makes it the best 3D Castlevania game.
I also had a fun time with the bosses in this game. Typical monsters didn’t give me too much trouble, but the humanoid opponents felt like intense dances to the death. The two Isaac and Trevor fights put me on edge since they are both fast and resourceful. Isaac will summon his own I.D.s to fight with him, so it felt like a game of summoning the right I.D. to counter his own. With Trevor, he fights like a true Belmont. His whip and sub weapons are brutal, but are not hard to avoid or see coming. I am not the type of person who is good at parrying, but parrying their attacks felt so good since it always opened the path to pass their defenses. The fight with Dracula may be the hardest Dracula fight I have ever been in. Like every Dracula encounter, he has two phases where you fight the elusive spell caster in the first part, and then the brute devil in the second. This fight took a lot out of me since I had to pause for a moment and come up with a strategy to tackle both phases with the limited amount of healing items that I had (I forgot to mention that you are only allowed to buy 5 potions, 3 high potions, and any other healing items can only be obtained by finding them or dropped from enemies). I brought in two fairy I.D.s with me for some healing options, but there was only so much they could do when Vlad does so much damage. I was only able to defeat him when I decided to not summon any of my I.D.s during the first phase, and pile on the assault during the second phase. It also helped that I remembered that I had other weapons that did way more damage than the sword I was using; and that a more powerful weapon would do more damage…
I do have my share of complaints since the game isn’t completely perfect. While the environments are more distinguishable this time around, I found the enemy variety completely repetitive. From my memory, there are around 20ish enemy designs in the game that just get slightly altered throughout the game. Not the biggest complaint, but Castlevania is known for having a lot of monster designs that feel unique. I was just getting tired at some points fighting the same horde of skeletons, but this time with bluish bones. I also wish Hector was a bit faster. There are times where you can backtrack to obtain items you skipped since you didn’t have the right I.D. for the job. Going back to some of these places can be a slog since there is no way (at least in my playthrough) to increase Hector’s movement speed. Another small complaint, but other Castlevania games around this time (including Lament of Innocence) had ways to make you really zoom around the map.
Overall, I would say that Curse of Darkness surprised me with how good it was. I don’t know if playing Castlevania 1999 or Lament of Innocence helped make this an enjoyable time, but I am glad for it. Without using a strategy guide or the internet to help me much, I filled out 92% of the total map. I didn’t grab every accessory in the game, nor did I craft every single weapon and armor in the game. Some items for crafting require special items that I had no idea how to farm or which enemies to steal them from; so I just used what I had and just went with it. You do unlock Trevor and Crazy mode for betting the game. This game was also a bit longer than any other Castlevania game that I’ve played. It took me twelve hours to reach the end where two of those hours was me just grinding a bit to defeat Dracula. This is a title that I can see myself revisiting at some point since it has all the elements that I enjoy from my other favorites in the series. I will also say that if you are familiar with the Castlevania series on Netflix, I think that they are cowards for not sticking with Isaac’s original design.
Games Stats:
Date Started: October 23 , 2022 Date Finished: October 29, 2022 Total Play Time: 12 Hours Percentage Completed: 89.01%
Bonus Round!
Castlevania Judgment
Date Released: November 18, 2008 Platform: Nintendo Wii Canon to Story: HELL NO!
“Right on time. Welcome to the time rift.”
*Pause**Camera Pan*
“Time rift? I thought I was done talking about the 3D Castlevania games?”
*Pause* *Camera Pan*
“You thought you were done. But there are other trials that you need to face before ending.”
*Paaaaause* *Camera goes to lunch*
“Fine then. Let’s make this one quick.”
*………………….*
“My name is Aeon. Shall we begin the first trial?”
(Every cutscene in the game is like this…)
Ok. I’m sorry that this post is way long, but I have to talk about this game real quick. Back in 2008, Konami decided to throw everything at the wall and decided to make a fighting game based on the series. On paper, this seems like an interesting title, but when you see the words “3D fighting game only on the Nintendo Wii,” you can’t help but to immediately assume it’s going to be bad.
Castlevania Judgment is a 3D fighting game that is not fun to play. Characters find themselves in a time rift for different reasons that do have no connection to anyone else. Some fight to prove themselves to others, while some are searching for an answer in all the wrong places. And then you have twelve year old Maria Renard who just picks fights against anyone who has a bigger chest than her. I would say that there is a story, but there really isn’t. Nothing is connected since most of the fights just happen without an explanation to why they are fighting (like in an Arcade mode). At the end of each character’s story, an original character named Aeon shows up, says he’s acquired a key, and then stares at you lovingly until he fades to black. You can’t technically finish a character’s story until you finish every other character first, and then replay the character’s story to fight the final boss to end just their story. It’s a “story” mode just to unlock characters and nothing more.
Did I mention that the game is fun? Because it is not. This is a 3D arena fighting game, so let’s talk about what doesn’t work. There is no sense of balance between characters. You have characters that like to spam moves that are impossible to block against, some who are large and will deal more damage with their regular attack just because they are big and strong, and then you have the children who are a bane to my existence. No game has ever made me say the phrase “Just please let me murder these children” before, but Judgment made the impossible possible. I will give credit for making each character feel unique like how Simon and Trevor operate differently despite being the same character, but the moveset on some of these characters can make some fights feel one sided.
I hope you bought a Wii Classic Controller or Gamecube controller, because playing this game with a Wii Remote and Nuncuck is not recommended. While normal controllers have actions mapped to the different buttons available, the WiiMote’s lack of buttons makes you play in a different way. Start practicing those maraca skills, because almost all attacks are done by shaking the WiiMote. The buttons on the WiiMote are just used to change what your character does while you are shaking uncontrollably. Because of this, combos require you to know which attack chains into the next one; unlike using different inputs just to do certain attacks. It’s not fun. Especially when you are going against hard A.I. opponents who do not need to worry about these restrictions. If you haven’t figured it out yet, using any controller besides the WiiMote is the only way to play the game in a “comfortable” way.
Stages don’t fare any better. Each stage can come in two flavors, tolerable or bullshit. Some stages will just be your normal 3D environment where you can break objects to find hearts and sub weapons. At times, these stages will change to add “fun” mechanics to utilize during the fight. There is one stage that is just a torture chamber, and they made sure to make it feel like one. I’m talking about spikes on the floor, poison water that you and your opponent can just walk right into, guillotines swinging in the background, and a giant buzz saw in the back just for good measure. This is the worst stage in the game, but it doesn’t stop there. Sometimes in the graveyard stage, it will just be a normal graveyard. Other times, you have to deal with zombies that will pop out of the ground, and then leave a pool of acid when they get killed that will poison you. Or how about the bridge where a giant fish will come out of the water, knock you to the end of the bridge, and then you ring out since the bridge is falling apart as well. This does not make the fights exciting. It just makes me want to play Castlevania 1999 since that was a less painful experience.
There are a few positive things about the game that I like. It is short. I unlocked and defeated the Time Lord in four hours. I do like the character designs in the game. If the design looks familiar it is because they were designed by the mangaka Takeshi Obata; who did the artwork for Death Note, Bakuman, Platinum End, and currently Show-ha Shoten! (one that I am currently enjoying monthly). It takes a while to get used to, but I would be lying if I didn’t say that I appreciated his take on the characters (even though Simon is just too pretty for the character he truly is). The soundtrack in this game is a standout. Each fighter’s song is a remix from a popular song from their respective game. Hearing tunes like Bloody Tears, Dracula’s Castle, and Dance of Illusion really help me forget that I’m stuck in one of Eric’s combo loops that is just instant death if you are stuck in it. Seriously, the soundtrack is wonderful and easy to find online.
But yeah. That’s about it for Castlevania Judgment. There are other modes like Arcade, Castle Mode, and unlockable, but it would be bold of you to think I would put that much effort in playing this game more than I had to. It was an interesting experience and a concept that could work, but little to expect from a game that could have used a bit more time in development. If I had to pick a favorite character to play as, it would be Dracula because you can stand in one spot and just assault your opponent with powerful spells from a distance and teleport away if they get too close. Yay game balance!
Game Stats:
Date Started: October 22, 2022 Date Finished: October 23, 2022 Total Play Time: 4 Hours Best Character: Dracula Worst Character: Golem (I just don’t like playing big, slow fighters)
And that should finally do it. Only three more sets of Castlevania games to go. Tune in next year to see which set gets covered next.
*Warning! There will be spoilers for Xenoblade Chronicles 3 in this post! If you wish to avoid these spoilers, play and finish the game before proceeding. If you have already played the game or do not care for spoilers, then read ahead! I am not responsible for you getting spoiled after I warned you!!*
There was something that I noticed in Xenoblade Chronicles 3 that made it stand out more than its predecessors. The side quests in the game were actually worth a damn to care about. In the previous titles (not counting Xenoblade Chronicles X since I haven’t played that one yet), side quests were there to award you with small rewards and experience for helping out the denizens of the world. They were your typical JRPG side quests where you went to Point A to Point B to either gather something or beat up some monsters. Xenoblade Chronicles 3 isn’t any different really, but the way the side quests are presented made it more engaging and rewarding.
Side quests have their own story within the game. Every time you recruit a new hero or liberate a Colony, the side quests offer new insights on the Colony’s residents after they have to adjust to a new lifestyle, or you learn about a particular character from each region and their new found struggles. Unlike most optional quests, you are compelled to do them not just for the reward, but to continue to see how people and their relationships change from time to time. The game also rewards you just with new heroes, but doing them will also raise their class level once you are done with all of their quests. And you want to do that if you want to reap the benefits for your main characters.
A ways to go before full completion…
While I like this new emphasis on making the side quests a part of the story, that also leads to some issues. In my playthrough, I had to make the choice of not completing every side quest that I came across since it was inflating my playthrough twofold. There would be play sessions where all I was doing were side quests just so I could learn and unlock new things that filled in gaps to the backstory. That should have been the red flag right there. Instead of playing through the main story to get all of the story content I needed, there was some great lore that was hidden behind these completely optional tasks that you can choose to do or ignore. The downside of not completing them is either missing out on a bigger reward at the end, or completely missing a resolution to a character’s arc or dilemma; and this does not exist only for the side characters.
Each of the six main characters have side quests that dive into their backstories and increase their class rank. Out of the six, Noah and Mio’s side stories are entwined with the main narrative, leaving Lanz, Sena, Eunie, and Taion’s side stories completely missable if you do not go back to key places to trigger them. Some of them like Lanz and Sena help improve their characters through the side story, but nothing that feels like a major story element to enhance the overall narrative. The one exception that I feel was a terrible mistake was Eunie’s side story.
In Chapter 3, Eunie finds a particular dead body on an old, abandoned battlefield; her body. She confirms this by examining the dog tag on the body, and then starts to get headaches and flashbacks to her previous death. She hides this from the rest of the party even though Taion knows something is wrong with her (and seeing that he can see her thoughts when they interlink). The conflict she has affects her in the rest of the chapter when she encounters Mobius D, the one who killed her previously. She does find the resolve to face him in battle during a later confrontation, but outside that, she never reveals to the rest of the party why she was so afraid of him in the first place. Not even when D is defeated for good do we see Eunie get the satisfaction of defeating her murderer (a different scene steals that spotlight). Enter Eunie’s side story.
To even initiate this quest, you have to go out of your way and find info fragments around the City. Only then will Eunie have the courage to tell everyone about the dog tag after learning about a Gold rank colony that has disappeared. Two chapters later and being completely optional, we start to work on Eunie’s resolve as a character. At the end she doesn’t even fight against the person who has been tormenting her for the last two chapters. You would think the main story would use Eunie’s dog tag to reveal to the other characters about this cycle that they are in. It’s brought up in the main story, but leads to no conclusion unless you go off the beaten path to find it. I was waiting for the dog tag to play a major part of the story since it was heavily implied that it would cause moral problems for the cast, but it never happens if you are only playing through the main story.
This is where I believe one of Xenoblade Chronicles 3 faults lie. Sure the side quests are better than they were in the previous games, but some great story elements are never revealed in the main story, but locked behind side quests that can be missed all together. There is a point towards the end of the game where you can upgrade everyone’s blade. In order to do so, you have to complete a side quest where you have to find seven noppon that only appear in other side quests. So if you missed one of these side quests, you will be spending more hours of your playtime just to unlock this feature. In my playthrough, I had to go back several side quests just to complete the one chain that I needed in order to get access to a locked area that I knew one of the noppon was hiding. Again, completely optional and has no bearing on the story whatsoever, but dangling this reward in front of your face and finally putting the shiny objects that you find all over the world to use at the very end of the game feels weightless. There is almost no point in unlocking the mechanic if you never took the time to do the optional quest up to that point.
Another game series that comes close to this problem that I’ve played is The Legend of Heroes: Trails of Cold Steel saga. There is a similar approach to how side quests are handled in that game. In Cold Steel, side quests help explore and flesh out the side characters that are important to the world and main cast, but have no responsibility to the main story. They exist solely to give the player more understanding about each side character and help expand the world. Of course you have your normal monster extermination quests, but every quests feels like their own short and complete side story that doesn’t take away from what’s going on in the main story. Another side quest doesn’t pop up just because you finished the one before it. Once you finish that side quest, that short story ends and you can move on (outside a few that I’m probably not remembering). The side quests don’t take anything away from the story, but help put more background lore that you don’t really need unless you want it (and serves to build up a big reward at the end if you finish them all).
Compared to Xeno 3 that follows a similar structure, side quests feel more like an investment where the payoff varies. Instead of just concluding and moving on to a different character, the quests just continue to build up and try to make you invested in the relationship of the characters, but that only works when the reward justifies the means. There is a series of side quests where you help these two assholes when they decide to go on an adventure by themselves. Every interaction with them is the exact same; they have a falling out with each other over something stupid, you help them, they become friends again. Rinse and repeat. I thought there would be some big payoff from helping these two characters whom I never learned their names with their stupid problem, but it never paid off at the end. It just wasted my time dealing with two characters that I (and the main casts) hated helping all the time. I thought for sure this was going to lead to me getting something similar to their vehicle for faster ground traversal, but silly me for believing something like that. At the end of the day, that is the best way for me to summarize Xeno 3’s side quests; an investment that never pays off unless it involves the main cast or a hero.
This is just a fourth of the affinity chart. No one is important if everyone is.
If there was a way to improve the side quests, I would tie the colony side quests to its respective hero (since each colony leader is added to your party). Having a lead character interact and work with the people they are most familiar with would help me care about the relationship building since it is the main characters assisting the colony leader in helping out the people that they are in charge of protecting. It helps build a better connection with the people who you will never remember their names and help with the character development of that hero. I would have a better time doing these side quests if the payout was seeing these characters actually evolve after completing each, and maybe even change the class rank to increase upon completing each side quest. And of course the obvious, do not lock important main character development behind optional tasks. Side quests feel better when you have the complete option to go out of your way to do them. Completing quests out of obligation leads to a false sense of accomplishment with no payout at the end.
That’s just my viewpoint on side quests. I don’t mean to take my aggression out on Xenoblade Chronicles 3, but it did get my brain a-thinking while I was playing it. Do you feel similar or think I’m viewing this in the wrong way? If you have examples of good and bad side quests in games, please share them as I’m now interested in observing how side quests are handled in different games.
Tales From The Backlog 